Over that period I’ve worked in close conjunction with many film production companies - photographing not just ‘The Making Of’ stills but also specific client requests. Everything from their PR to their advertising requirements - be they web, brochure, press or poster.
The advent of digital photographic technology has, in many ways, made my life as a unit photographer easier. And - most importantly for the film crew - far less disruptive. The days of “Doh! Hold on fellas, the bloody stills guy needs to come in and grab a few” are becoming a thing of the past. I no longer - or only on very, very rare occasions - need the lighting to be reset or to add in a few strobes to enable me to colour balance or freeze the action. By utilizing the latest high-end digital backs and cameras I’m able to capture the action unobtrusively, with the minimum of fuss and the maximum in quality and file size.
So, whether it’s helping save a fisherman in the West Indies from a giant grouper for Diageo, or hanging out of a helicopter at 1200ft for McDonald's, I can get you the result you need, without getting in your way.
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